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diatribe.

A feeble hold that remains vital.

Original  painting by Gianni Russomando.[1]

 

 

To benefit from one’s calling[2]/47.

 

The dream – our night dream that is – is very close to a film that we capture[3]  because we had obscured the unresolved, and here the conscience is in a hurry, not listening to our defense’s reasons: with the risk of sweeping away that feeble hold that remains vital, even to the newborn who does not yet practice speaking but already prepares it.

The diatribe with the conscience begins starting with the dream: or with the lapsus, if we want.

 

Marina Bilotta Membretti / Cernusco sul Naviglio – March 21, 2025

TutorSalus.net - Freudian journalism

 

 

[1] Gianni Russomando, short biography : “I’m born in Vercelli (1956), graduated at the ‘Istituto di Belle Arti di Vercelli’, I describe myself as an ‘amanuense’ (medieval hand-painter) and far from expositions and competitions.”

[2]  www.tutorsalus.net/index.php/en/pensare-da-partner-2/358-psychoanalyst-and-profession-1

[3] It is known that in front of a film our conscience is not dominated by the outside, as in the case of hypnosis or other direct therapy : the capacity of the subject to understand and  will is not compromised in the case of a film.

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